The orchestration to Only Air continues apace. I’m starting in on the third interlude this evening, which will be the most challenging one since it does require a bit of actual composition as well – my sketches, which are usually either detailed roadmaps or vague groupings of disembodied noteheads, are particularly vague here, bordering on impressionistic. “The clarinet soloist does these things in this order, and the orchestra kind of does…other…stuff…with these pitches. Maybe a few others.” Thanks, Dennis, for being so helpful!
My intention was originally to put together the piano/vocal score first, but I realized quickly that it’s just not going to happen like that. The orchestration wants to happen first so that I can reduce it. Even though I wrote the piece at the piano, and my sketches are vaguely pianistic, it just wants to be an orchestra piece first. And who am I to argue? In practical terms, this way allows me to work out durations and timings with sustaining instruments before I REALLY get the decay of the piano in my head.
They Lie at Rest
This weekend, I also started a new short piece for mixed choir, “They Lie at Rest”. Something about the text has clearly spoken to my composer brain since I sat down with it for the first time yesterday and composed the first third of the piece in one fell swoop. This seems to be a theme with me and choral music lately – “When Music Sounds” started the exact same way!
I recently had the pleasure of singing several roles in a reading of Roger Zahab’s new opera A Christmas Carol. I was originally slated to sing Young Scrooge, First Portly Gentleman, and Bob Cratchit, but also added Scrooge’s nephew Fred for the second performance due to a baritone emergency.
And let me tell you: this is my kind of performing. Both performances were unstaged readings – literally readings – by a small ensemble and a group of singers, many of whom had never met until the day of the first “performance”. Magically, in the first performance of the 2-hour work, we only had to stop and restart about three times! And I know that I wasn’t the only one who had only had time to look at the music for the first time the night before!
Afterward, I realized that this was the real-life version of that dream that we all have about showing up to a performance on the first night without ever having rehearsed or having been told you were even cast, yet blundering through anyway. But with pants. I was a little taken aback after I mentioned to a few of the other performers and they replied, “Aw man, I know! I hate that nightmare!” B…but who said anything about a nightmare…?
This February I’ll be in an ensemble performing several works by composer Karen Siegel, which I’m very much looking forward to! The concert, for anyone available, will be February 16 at the Tenri Cultural Center on W 13th St at 8:00pm.
Also, my piece “Do Not Stand at My Grave and Weep” from Elegy will be sung at a paperless reading of choral music hosted by the Monmouth County chapter of the American Guild of Organists on February 10!
Due to a number of factors, including an increased work load at the day job, 2012 was a slow year for some of my non-composing/non-singing endeavors.
Consequently, I put a temporary moratorium on adding new works and new composers to the NewMusicShelf, which I’m just now beginning to lift as I prepare for the day job to go back to normal in a few weeks. My sole priority with the site has been to monitor sales and make sure that everyone gets paid when they should (mission accomplished!). And after I sift through my backlog of emails, and process all of the new scores, I’ll start accepting new submissions again, as well as seeking out new composers to join the site’s roster.
The day job also severely impacted my ability to update the Composer’s Guide toward the end of the year. But rest assured: I have a half dozen articles in draft form, and will start posting them all soon, along with a ton more new content! I’m very much looking forward to finishing the competitions mini-series!
There are also a few more projects that I’ve got lined up for this year that I’ll announce as they come closer to fruition.