This week marks the beginning of several new things in my life:
1) Tomorrow is the first day of my last semester of classes at CCNY. I’m particularly excited to be finishing up my degree, for any number of reasons. One of the particularly nice things about this semester is that it’s an “All David” semester – I have my weekly composition lesson with David Del Tredici, a weekly orchestration course with David, and an independent study with David.
2) I’m starting work on a new piece: Long Barn, a set of three songs on poetry by Idris Anderson. This is the other of my “exciting announcements”, because the songs will be premiered in June as part of the 2009 Virginia Woolf conference at Fordham University near Lincoln Center. I’ve begun living with the poetry and will probably start putting pencil to paper in the next two weeks.
3) My independent study with David is the beginning of a larger project that I’ll be talking about a lot more in the coming weeks. For now, suffice it to say that our sessions will involve lots of interviews and me riffling through David’s papers. The project will spawn a new series of posts here (which will hopefully be a little more regular than my current posting schedule!), along with some video, audio, and possibly photographic materials.
Beyond this week….
Kaity Volpe and I will be starting back into our photo project very soon, which will certainly spill over into the independent study project.
I’m hoping to finally relaunch the Tobenski-Algera Concerts in the next two months, even though I said we’d have a concert back in December. We’ve encountered stumbling block after stumbling block these past few months, and it’s been beyond maddening. Finding a suitable performance space for the relaunch has been difficult, though I think we may have finally solved that issue. Now we have to deal with scheduling….
And it’s application season! Nearly every award and artist colony has applications due in the next few months, so I’ll be spending hours upon hours filling out applications and spending insane amounts of money printing and binding “pseudonymous” and “anonymous” copies of my scores. I’m sure I’ll be writing about the process soon enough.