The Composer’s Guide to Doing Business: Growing Your Catalog

As a businessperson in the arts, the most important thing you can do is to continually expand your catalog of works. No amount of marketing or networking or promotion will help you in the long run if you don’t constantly work to build your catalog. (Conversely, you can build your catalog all you want, but […]

The Composer’s Guide to Doing Business: Competitions Pt 6: IMHO

[This is the final segment of a six-part miniseries of posts on composition competitions. Competitions are typically a significant part of a composer's coming-of-age process, and young composers in particular are frequently (in some cases constantly) bombarded with exhortations to apply to everything possible from teachers, administrators, and older composers. In these posts, I'm taking […]

The Composer’s Guide to Doing Business: Competitions Pt 5: Odds & Ends

[This is part five of a multi-part miniseries of posts on composition competitions. Competitions are typically a significant part of a composer's coming-of-age process, and young composers in particular are frequently (in some cases constantly) bombarded with exhortations to apply to everything possible from teachers, administrators, and older composers. In these posts, I'm taking a […]

The Composer’s Guide to Doing Business: Competitions Pt 4: Rejection Letters

[This is part four of a multi-part miniseries of posts on composition competitions. Competitions are typically a significant part of a composer's coming-of-age process, and young composers in particular are frequently (in some cases constantly) bombarded with exhortations to apply to everything possible from teachers, administrators, and older composers. In these posts, I'm taking a […]

The Composer’s Guide to Doing Business: Competitions Pt 3: Age Limits

[This is part three of a multi-part miniseries of posts on composition competitions. Competitions are typically a significant part of a composer's coming-of-age process, and young composers in particular are frequently (in some cases constantly) bombarded with exhortations to apply to everything possible from teachers, administrators, and older composers. In these posts, I'm taking a […]

The Composer’s Guide to Doing Business: Competitions Pt 2: Rights Grabs

[This is part two of a multi-part miniseries of posts on composition competitions. Competitions are typically a significant part of a composer's coming-of-age process, and young composers in particular are frequently (in some cases constantly) bombarded with exhortations to apply to everything possible from teachers, administrators, and older composers. In these posts, I'm taking a […]

The Composer’s Guide to Doing Business: Competitions Pt 1: Application Fees

[This is part one of a multi-part miniseries of posts on composition competitions. Competitions are typically a significant part of a composer's coming-of-age process, and young composers in particular are frequently (in some cases constantly) bombarded with exhortations to apply to everything possible from teachers, administrators, and older composers. In these posts, I'm taking a […]

The Composer’s Guide to Doing Business: Finding an Angle

As artists, we’re always trying to find our unique creative voice, searching for the way to make a musical statement (however you want to interpret that word) in a way that is distinct and genuine. But as human beings, we also grapple with things like impatience for success (again, however you want to define that). […]

The Composer’s Guide to Doing Business: Commissioning Consortia

Consortia. Such a great word. Consortia. Don’t you just love Latin plurals? Commissioning consortia have been on my mind a fair amount lately, not just because they’re another source of income, but also because I’m in the middle of helping to build a consortium to commission a new choral work of my own. Commissioning consortia […]

The Composer’s Guide to Doing Business: Passive Income

OK, so I should be getting back onto a semi-regular updating schedule here. The past two months have been filled with travel, yearly audit prep at the day job, apartment hunting, and moving, all of which are horribly un-conducive to writing or composing. But such is the way of life – we take these things […]