Monthly Archives: July 2009

Addictive Riddle: In which Dennis sorts through hundreds of postcards

On Thurs., July 16, Kaity and I made a trip to West 11th Street to visit the home of David’s third husband, Joel Conarroe. Joel has kept extensive files of letters, postcards, photos, articles, etc on a variety of his friends over the years; and since learning of the biography from David, he has very generously opened up his home to us and given us amazing access to himself and his archives.

When Kaity and I arrived, we sat for a while with Joel, getting acquainted with one another, and bringing Joel up to speed on our research thus far. Then we were led to his library, where four sizable boxes were laid out for us. Joel gave us the tour of the material – a box of programs, articles, and reviews; a box of letters and photos; a box of postcards and more letters and photos; and a box of various materials, much of which is tangential to the project, but important nonetheless – and reminisced over several items, pointing out a few points of particular interest. Joel hadn’t looked at most of the materials in the boxes in years, and it clearly sparked a lot of memories.

In one box was a copy of the speech that Joel gave at David’s 70th birthday party at the Century Club (included in another box is the letter of introduction that Joel wrote to the Century, suggesting David as a member). (Alas, I missed the party because I was at the VCCA, busy writing till night is overgone.) A portion of the speech had been given over to witticisms of David’s that Joel had written down over the years:

Joel: This wine needs to breathe.
David: This wine needs to gasp! It needs a respirator!

David (While waiting for Aaron Copland to answer his door during Joel’s first visit to Copland’s house): Now, when Aaron opens the door, you must bow twice – he expects it. And you have to say, “Why, Aaron! You don’t look a day over 69!”

David’s silliness and irreverence were really driven home over the course of the two hours we spent looking through Joel’s archives that day. So, too, were his sweetness and capacity for love. Kaity and I were both a little surprised at the effusiveness of David’s love letters to Joel. Surprised, mostly because love letters are a lost art. Who today pours their heart into a letter, stuffs it into an envelope, and pops it in the mail? No one I know!

During our visit, Kaity and I took notes on various points of interest: specific dates on certain pieces of correspondence, names of people to look into, nicknames.

When we left, I had only gotten through one of the four boxes! And that just was skimming the majority of the letters and postcards!

Last Thursday, the 23rd, we went back to familiarize ourselves even more with Joel’s materials before we sit down to interview him properly. We’ve come across so many interesting things: the eulogy that David gave at his father’s funeral; the interview that Joel and David did for the Parnassus Review; snippets of music that David wrote to silly texts for Joel; a moth that David Scotch-taped inside of a letter he sent from MacDowell.

Tomorrow morning, Kaity and I will make our third trip to Joel’s for an interview in the morning. I’m not sure how I feel about waking up so early (8:00 – far too early for someone who doesn’t have a day job and typically sleeps until noon!), but I’m really excited to hear everything that Joel has to tell us!

Joel has been incredibly generous in giving us such amazing access to his archives. Kaity and I are really lucky to be working on a project about which so many people are so enthusiastic and want to be so wonderfully helpful.

Piano #3

I’ve decided to give up on my upright.

The treatment worked for a bit, but already the piano sounds as though it hasn’t been tuned in a long time, and to repair it would cost far more than it would cost me to buy a new piano altogether. So, I’ve decided that I’d like to give it to a visual artist who can use it in their work. Or, honestly, anyone who wants it. If someone is willing to move it out, they can have it.

So what am I going to do for a piano now?

Two weeks ago, David offered me his upright, under the same conditions: if I move it, I can have it. He was given the piano by someone who lived in his apartment building and who needed the space. David’s now in the process of making space, and is passing on the piano since all of his work is done on his baby grand. Fortunately, I’ve seen this one in action already – he previewed a new piece on it in November, and both the piece and the piano sounded great. Any piano that can hold up under the force of David playing his own works….

So, I’ve been waiting to find a taker for mine before I further clutter my apartment with another piano. If I can’t find a taker in the next week or two, though, I’ll have to move David’s in anyway and put up with less space until I can get rid of the Story & Clark. Funny that I’ll have acquired three pianos in less than two years. Certainly not what I expected.

So: Any artists out there looking to use a piano as a part of their work? Or anybody looking for a piano that doesn’t really work? Look no further!

Starfish rescheduled

The Percussia performance of Starfish at Pescadero has been rescheduled from Sept. 13, 2009 to January 26, 2010. Apparently, the library where the performance was scheduled to have taken place has had its Sunday hours slashed thanks to budget cuts and the crap-tastic economy. I’m frankly relieved at the postponement since I’m scheduled to be at Ucross for the month of September 2009, anyway. This allows me to work uninterrupted in WY, rather than having to take a long weekend away from the colony to attend the performance. Both events are so important to me that it makes me feel infinitely better that I can give both my undivided attention, which they deserve.

Also, how fabulous that I’m scheduling an event six months in advance!

Little surprise

I got a nice little surprise yesterday afternoon. I took a little break from the third batch of DDT scanning (Pop-pourri through Vintage Alice), toddled downstairs to check the mail, and Lo! and Behold! An envelope from the Bursar’s office at CCNY. Unannounced, official-looking envelopes have, on occasion, a tendency to startle me. ‘What possibly could they want?’ was the first thing I thought. ‘I know for a fact that I’m completely paid up – otherwise they’d never have given me my diploma!’

It was rather a slim envelope, though. So, I opened it as I walked back up to my apartment. What should I find inside, but a check! No letter accompanied it, only the brief message: “External Scholarship”. Huh.

It was a nice bright spot in an otherwise indifferent past few months. Writing has been woefully slow, work has been non-forthcoming (including new web design clients, alas!), and most of my time is spent scanning David’s files.

I haven’t the foggiest idea why I’ve received this scholarship, or who decided that I should get it. But you can be sure that I’ll be sleuthing to find out who exactly it is that I should thank!

It’s all I have to bring to-day

This afternoon I added a new song to the Tobenski Press store: “It’s all I have to bring” for voice and piano, composed for Neri Shulman’s 60th birthday in 2007. The song, on the Emily Dickinson poem, clocks in at just under a minute – a cute little gem.

The engraved Sibelius file has been sitting on my hard drive for some time, now (over two years!), and sitting with my laptop on a rainy day in Montauk seemed to be the perfect time to post this little musical offering. I made a cover page and a very few minor revisions to the score, and here it is!

Here’s what my diary has to say about the writing of the song: “Ran back to Astoria in the morning and wrote Neri’s song. Decided on an Emily Dickinson poem – ‘It’s all I have to bring to-day’ – and wrote the song in around a half hour. Seventeen bars. It’s catchy and pretty!” There’s something about the pieces that you shake out of your sleeve – they have the real spark of life, and an easy grace that can’t be faked.

Enjoy!